The Illusionist color script - BG keys End SQ

 this is close to be my favourite part of the color script/ BG keys I did... A bit gloomy but fun to do.. Again I got a lot of freedom from Sylvain Chomet. The first 3 pics are for the 3D generated sq, so they are not use directly in the film. Here I have explained how we did the work-split in BG dpt. And here there are examples of how the keys were used in the final bg's.

color script for Sandmänchen

This part is in the end of the film - the count down. I had Anne Hofmann's beautiful production design to base the colors and mood on. It was fun to do.

color script for Sandmänchen

Sylvain Chomet "The Illusionist" color work - backgrounds

- in-between 2006 and 2008 I was so fortunate to work on Sylvain Chomet's “The Illusionist”. The first two month mostly BG painter- then as head of Art department with the responsibility to oversee the productions of BG's and layout- clean-up even though that was in good hands of Isobel Stenhouse and Bjørn Aschim ( he did the beautiful cityscape drawings you see through-out the film)

     When I came, they had been working for some time in making the animatic and was slowly starting the actual production of cleaning up the layouts.Evgeni Tomov had been working on the project on development and on the animatic, but had left before I came on board.... still he did circa the first third of the roughs for the animatic and Pierre-Henry Laporterie had taken over where he left. 

     The black/grey/white animatic worked as a blueprint for the film... I do hope that it will be included in the DVD release... one can say that the film was done twice first a rough drawn and posed black/grey/white film and then the color version that I worked on.

Bjørn had done some color work but I after a short time when I started doing the color-keys for the BG's I did it mostly from scratch keeping only little from what was done before....and was a dream job to do. First I had those great drawings to work from and then a handful of great artist to paint the BG's. Anne Hpfmann whom I think did close to 100 and did some of my favourite BG's in the film, Bjørn Aschim - also a great painter, Marcin Lichowski, Julien Deman – did too few BG's since he worked on the character color together with Emma McCann that beside her job as character color head did a handful of BG's. Beside supervising the artists I painted as many BG's as I could manage. 

  I enjoyed staying in Edinburgh for those close to two years I did. And Im proud of have been part of that film. I got some good friends among them the assisting director Poul Dutton that wrote the Fiddler Pieces story...another great project.


More to come, stay tuned.. 

Sylvain Chomet "The Illusionist" color keys - Backgrounds

Sylvain Chomet "The Illusionist" color key's - backgrounds

The Illusionist stills

here are some stills found here and seeing them makes me proud to be part of making this film.

The Illusionist stills

The Illusionist stills

cartoon brew post

on the cartoon brew site they have this recent post about the Illusionist.
It's nice to see that it will be shown in the states.

color studies for Jungo 3

Quick colorstudies done last year for Jungo (3) goes Bananas.
It was fun to work these two weeks on this feature.. Since this is a 3D film it gives a different lightness to the painting-process compared to painting for at 2D film as "Asterix and the Vikings" (where I was head of BG department) or "The Illusionist" where I’m working now. They were only studies and not keys ...and thought as a working tool for Director Jørgen Lerdam and the Art director Steen Mesterton ..It was fun.

Furthermore was I working on Jungo 1 and 2 as a BG painter for many years ago so I had been there before in the days of analog painting.

color studies for Jungo 3

color studies for Jungo 3