some years ago i made several rough designs for a film project called "The Treasure Hunter" for Wilfilm in Copenhagen. We were three artist that each were asked to come up with visuals. And this is a couple of mine. Had a lot of fun to do these submarine pictures. The film was set in the 1920.
Showing posts with label Production Design Animation. Show all posts
Showing posts with label Production Design Animation. Show all posts
Friday, 18 September 2020
design for Antboy animated
in 2016 i was so fortunate to be asked to design some sets for a look bible material for a animated tv serie made from the danish children books about Antboy. Thorbjørn Christoffersen was directing and Nimbus Film was peroducing. Thorbjørn had some pretty clear idea of what he wanted and it was a lot of fun. First to do the bible pics and then producing the production BG´s.
here are some panoramas in different time of day and a street scene
Saturday, 25 August 2012
mikisoq - from the drawer
-the four pic´s above are some of the very early ones I did in the evening while working on another project. The story wasn't there yet so a lot was open. So I just doodled around and made these rough moods. It was a great project to work on... as shame it never made to the screen. You find the more elaborate designs here and here
Sunday, 17 June 2012
some work in progress files
some pics for the project im working together with Paul Dutton... still rough and to be changed, but thought i wanted to share them with you.
Saturday, 19 May 2012
Gummi T - Jelly T design
- last week the feature Gummi T - or Jelly T that I worked on last year had its première.
It was a fun job and interesting to have a second go on the Ole Lund Kirkegård universe, this time with Michael Hegner as director. We reused the set done for Orla Frøsnapper and altered it where needed.
Due to budget restrains I had a relatively short run on this show, so Michael took care of how the Chinese animation studio GDC handled the design into final models. And I think he did a great job under a lot of time pressure.
It was a fun job and interesting to have a second go on the Ole Lund Kirkegård universe, this time with Michael Hegner as director. We reused the set done for Orla Frøsnapper and altered it where needed.
Due to budget restrains I had a relatively short run on this show, so Michael took care of how the Chinese animation studio GDC handled the design into final models. And I think he did a great job under a lot of time pressure.
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